2018
Dane Mitchell, Institut D'Art Contemporain
Villeurbanne/Rhône-Alpes, France
Dust Archive (Stedelijk Museum), 2007
Archival inkjet print on dibond
800 x 800mm
From the Dust Archive (AGNSW), 2003
Archival inkjet print on dibond
800 x 800mm
From the Dust Archive (MoMA), 2007
Archival inkjet print on dibond
800 x 800mm
Positronium, 2018
homeopathic formula, plastic, pump, vapouriser
dimensions variable
Weight of the World (North), 2015
Steel
32 x 40 x 40 cm
Clairalience (Three Ozone Notes), 2015
Parfum, papier, laiton
Dimensions variable
Sketches of Meteorological Phenomena, 2014 - 2017
Sand, glass
Dimensions variable
The work of New Zealand/Aotearoa artist Dane Mitchell probes elusive zones, transitions between materiality and immateriality, intuition and knowledge, absence and presence.
Based on natural elements (light, rain, vapor), his research tends to transcend our manner of perceiving these manifestations and to explore the limits of our perceptions.
Refined and discrete, Mitchell’s artworks emerge from an attempt to capture and fix organic, fleeting substances. Sometimes accompanied by scientific apparatus (parabola, pumps, equipment for making measurements), sometimes transformed (metal alloys, perfume), the materials employed are subjected to a number of experiments by way of subtle sensorial systems (vaporization of an odor, occultation of sight, lures) or through their reconfiguration in space (contextual shifts, play with scale).
Starting with these interventions, Mitchell plays with scientific principles that are based on vision, the permanence of matter and our objective understandings of the physical phenomena that we experience in everyday life. With a lightness in manner, he diverts and reuses scientific vocabulary to keep our discernment at a distance and arouse our imagination.